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In the first section, for example, the key feature is a sustained note. The central axis of this melting is a pitch produced by the tuba.

He has developed two post-doctorate researches on music and zamprobha, one at the University of Helsinki Finlandinand another one at the University of Valladolid Spainin However, it also takes in account that these features must occur inside the sustained note domain.

This can be attributed to the fact that musical writing is especially precise when abstract and general sound features are involved, but is less precise when more particular features such as timbre are represented.

In he was introduced into electroacoustic music composition, and his first experiments eddson done in a four-channel Revox tape recorder.

The objects were rubbed using rapid twisting movements over the entire marble surface, and the sounds generated featured particularly rich spectra and morphologies.



These elements drive the work’s division into three sections. At the beginning of fdson work, the tuba and the marble sounds are melted.

The indirect references to western music constructions are related to the musical discourse. The sounds were carved after being recorded. As of he starts an international agenda.

Edson Zampronha : Mármore,

Resolution is the result of a polar note, which, resembling an appoggiaturais resolved in the next note. In this sense, the concept of dissonance is re-interpreted. Through detailed work, each single curve of the sound movement, each tiny detail of its curvature, was placed at a different point on the space to extract all its energy and musicality.

Concerning his harmonic language, Zampronha uses non-traditional but intelligible chords comprising many notes from 6 to 18, or even more. This re-interpretation fdson clearly in his use of musical rhetoric resources.

Edson Zampronha | ReverbNation

His first lessons included musical composition, history of music, theory, harmony, counterpoint and musical analysis, besides piano playing. There are strictly written parts, and there are others with greater flexibility. This overall control of pitches is very important to the musical intelligibility of the work. Retrieved from ” https: Different aspects of his compositions reflect these innovations, as the musical notation he uses and the relationship between instruments and electroacoustics [3] [7] for instance.

Eedson Zampronha born June 2, is a Brazilian composer dedicated to contemporary experimental music. A number of similar rapid zajpronha movements sampronha both the marble sounds and the melodic tuba shapes. Thus, the old and the new understandings overlap, creating tension that becomes the axis of the composition. Besides, specific sequences of these chords may generate a new-functionality producing direccionalities inside the work.


Edson Zampronha Edson Zampronha works with contemporary music, musical semiotics and musical technology.

Tension is primarily created by the close alternation of two adjacent polar pitches. Este solo es casi un recitativo, lento y profundo.

Edson Zampronha

Empezando con la nota Mi, las siguientes notas polarizadas son Re, Do y Sib. This solo is almost a slow and profound recitative.

Its division into three parts reproduces the global features of the entire work. A sound zampronna can make references to a specific musical context or a specific historical period even a very recent period without being a quotation.

Its third component is a sustained note with repetition features, giving way to repeated notes in the same pitch.

List of compositions by Edson S. One of the keywords in the music of Zampronha is “re-interpretation” or re-significationunderstood as the act of understanding in a different way what had been zampronnha listened to.